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I look forward to collaborating closely with Neal, SFMOMA’s patron community, and its superb staff, whose dedication to fulfilling the museum’s potential is to be admired.” SFMOMA has also welcomed eight additional cultural and civic leaders to its Board over the past year and a half, including Alka Agrawal, Joachim Bechtle, Adam H. Ed Ruscha Named SFMOMA’s Fourth Artist Trustee Born and raised in the Midwest (first Omaha and later Oklahoma City), Ruscha took a road trip westward in the mid-1950s and landed in Los Angeles, where he studied at the California Institute of the Arts and also trained as a commercial graphic artist.Upon graduation, he took a job as a designer of billboards and posters, immersing himself in the language of advertising, popular culture, and machine-made images.For those who dismiss Ruscha’s work as shticky or don’t get what the onomatopoeic “OOF” in big yellow letters on a blue background is doing at Mo MA, the documentary makes a strong case for the artist’s irreverent style and conceptual depth.“I think he came from a different place,” says artist Ed Moses in the film.

SFMOMA maintains one board seat for artists—who are elected for a fixed term of three years and recommended by the director—to represent key areas of museum programming as well as the wider artist community. Along with a shared dedication to art as collectors and enthusiasts, the new trustees widen the range of expertise on the board, and they join SFMOMA at a dynamic time as the museum begins construction on its major expansion project.“SFMOMA hosted Ed Ruscha’s first major museum retrospective in 1982 and we now hold his work in great depth,” says Benezra. SFMOMA’s trustees are advocates for the museum within the larger community, seeking out opportunities to expand audiences and contributing to the institution’s stability and vitality while sharing a long-term vision to ensure its excellence.“Given his long history with SFMOMA and his exceptional knowledge of and great influence in the art world, his input will be invaluable as we dramatically expand to become an international showcase for the best in contemporary culture.” Of his appointment, Ruscha says, “Assuming a role on SFMOMA’s board at this vital time in the institution’s history promises to be an exceptionally rewarding experience. A complete list of SFMOMA’s Board is available online.He pulled elements from this mass-media vernacular to create his famous “word” paintings, which combine typography with abstract, atmospheric backgrounds.By the 1960s and 1970s, his well-known images of the Twentieth Century Fox logo, gas stations, and other icons of American culture—as well as his association with the renowned Ferus Gallery group—had established him a leader in the West Coast Pop art movement.