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08 Feb

But, thanks in large part to the sex trade, Thai trans women have become a more visible part of the cultural landscape than their counterparts in the U. It wasn’t for lack of thinking about it: the Buddhist code of monastic conduct called the Vinaya lists 27 categories of people, creatures, and objects that one shouldn’t have sex with, including men, women, dead women whose flesh has or hasn’t been eaten away by animals, female monkeys, wooden dolls . The historian Peter Jackson has argued that pre-existing Thai notions of gender interacted with Buddhist thought in a way that uniquely conflated gayness with transness; for many years gay men were simply understood as having women’s desires, and often referred to as kathoey too.But while same-sex inclinations were long thought in Thai Buddhism to be sinful, they were also thought to be congenital—meaning they couldn’t be changed during a person’s lifetime, and therefore had to be accepted.

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“Every film is such a huge production, and it’s a long time,” she said in 2006. “I have felt for the last ten years I have had this battle; I’ve been fighting so hard to have an education. “I would have found it very difficult watching the movies being made without me as a part of them, because I grew up making them,” she said. Crushing the dreams of devotees near and far, Watson revealed that her costar crush was not, in fact, Rupert Grint, but Tom Felton, who played the nefarious Slytherin Draco Malfoy.

In the DVD commentary for that famous flop, production designer Patrick Tatopoulos reportedly says that he and his crew “sculpted female genitalia” onto the CG model—but in a behind-the-scenes video, Tatopoulos frequently refers to the creature as a “he,” as the human characters in the movie do. Tatopoulos (Matthew Broderick), for his part, concludes that the beast reproduces asexually.

Whatever we wish to conclude about any of this, Toho, the Japanese studio that owns the franchise, retroactively designated the 1998 monster “Zilla,” to distinguish it from the original monster, because that iteration of the beast was considered so disappointing.

They do this several times in director Gareth Edwards’ latest take on the giant lizard—and the gender-inflected title “King of the Monsters,” which first appeared in the 1956 American version of the Ishirō Honda original, is also used.

, directed by Roland Emmerich, further complicated things, by making its monster pregnant.